Comic Break: Ender's Shadow Battle School #1 (Marvel)

Wednesday, December 31, 2008


Ender's Shadow Battle School
Issue: #1
Writer: Mike Carey
Artist: Sebastian Fiumara
32 pp. Marvel. $3.99


Reviewed by Paul Stotts

“Your kids are so malnourished that they suffer severe mental degradation before you even begin testing them. Most of them haven’t formed any normal human bonds. They’re so messed up, they can’t get through a day without finding something they can steal, break, or disrupt.”—Ender’s Shadow Battle School #1

Marvel recently has made a cottage industry of adapting Orson Scott Card’s Ender novels. It’s dangerous territory for Marvel. There are legions of Ender Wiggins fans who don’t want to see the classic SF series urinated on in the name of a quick buck. Fortunately Marvel has risen to the challenge.

Writer Christopher Yost and artist Pasqual Ferry have done a tremendous job on the first two issues of the recently released Ender’s Game Battle School. And now Mike Carey—the author of the excellent Felix Castor novels—and artist Sebastian Fiumara have followed with a homerun of their own with Ender’s Shadow Battle School.

Groups of street urchins roam the streets of Rotterdam, stealing small bits of food to survive. Bullied by the larger kids, the younger children must band together. One of these young kids, a malnourished runt called Bean, suggests that the group seek out a protector, a bully who will fight for them in exchange for food. It’s a good plan until the group ignores Bean’s suggestions and picks Achilles. That’s when things start to go terribly wrong.

Carey and Fiumara do an incredible job in the first issue adapting the tone of the novel. Their respect for the source material is evident in every panel. Fiumara’s artwork—with a huge assist from colorist Giulia Brusco—is stunning, unique and memorable in style and composition. The character design is wonderful, each character distinctive and consistently drawn. The debut issue is a tremendous artistic achievement, hopefully one Fiumara will continue in future issues.

Marvel should be credited for choosing creative teams that have given a unique look to both series. Nothing looks quite like them. Add to this top-notch writing talent adapting the novels and you have a winner. Highly recommended.

Final Grade: 84 out of 100

Related Posts:
Comic Break: Ender’s Game Battle School #1 (Marvel)
Comic Break: Ender’s Game Battle School #2 (Marvel)

Book Giveaway: "The Glister" by John Burnside

Tuesday, December 30, 2008

With the new year dropping in a couple of days, we still have time to bang out one more giveaway for 2008. So while you are taking a break from polishing up your vocals on Auld Lyne Syne, start getting those entries in for our latest contest. This time I have a galley of John Burnside's The Glister up for grabs.

Since George Lister's chemical plant closed down, Innertown has been a shadow of its former self. In the woods that once teemed with life, strange sickly plants grow. Homes that were once happy are threatened by a mysterious illness.

Here, a young boy named Leonard and his friends exist in a state of confusion and despair, as every year or so a boy from their school vanishes after venturing into the poisoned woods. Without conclusive evidence of foul play, the authorities consider the boys to be runaways.

The town policeman suspects otherwise, but paralyzed with fear, he does nothing. And so it is up to the children who remain to take action. Their plan to stop the forces of evil that are destroying their town is at the shocking and terrifying heart of The Glister.

To Enter to Win: Send an email to pstotts@bloodofthemuse.com with the subject line "GLISTER" and include your name and mailing address in the body of your email. Multiple entries will be disqualified. Winners will be selected at random. No purchase is necessary. Contest is open to all participants. Contest ends: January 25, 2009 at 11:59pm PST.

For more Blood of the Muse giveaways: click here.

Bloggers: if you promote this contest on your blog, I will give you an additional entry. Email me at pstotts@bloodofthemuse.com with the subject line "GLISTER", and include the address to your blog in the body of the email, or you can leave the address to your blog in the comment section of this post. I'll check it out and make sure you get another entry.

Good luck to everyone who enters!

The Bloodies: The Best of 2008

Monday, December 29, 2008

As 2008 comes to a close, it’s time to look back on the year and reflect, to acknowledge the great, and not so great, moments here at Blood of the Muse, to award the best and tsk-tsk the worst. (And the whole production helps with pumping up my ego.) While I read a variety of excellent books this year, only novels that were released in 2008 are eligible for awards. So let’s get started, because it’s time to hand out some Bloodies!

Best Speculative Fiction Blog:
Pat’s Fantasy Hotlist
Filled with the best giveaways and interviews, Pat’s Fantasy Hotlist is a SFF geek’s dream.

Best Speculative Fiction Book Reviews:
Fantasy Book Critic
Every time I read one of the great reviews by the team at Fantasy Book Critic, I feel embarrassed by the crap I put out.

Best Comic Artist:
Pasqual Ferry (Ender’s Game Battle School, Marvel)
Ferry’s visuals (with a huge assist from colorist Frank D’Armata) in Marvel’s new series Ender’s Game Battle School have been stunning. Highly stylized and unique, Ferry’s artwork is a joy to behold.
Honorable Mention: Ben Templesmith (Welcome to Hoxford, IDW Publishing), Francis Tsai (Patricia Briggs’ Mercy Thompson Homecoming, Dabel Brothers), Jonathan Wayshak (Ferryman, DC/Wildstorm)

Best Comic Writer:
Jason Aaron (Scalped, Vertigo)
The depth of characterization and story in Aaron’s scripts is unbelievable. Scalped is the closest you get to a comic series reading like a novel.
Honorable Mention: Joe Hill (Locke & Key, IDW Publishing), Marc Andreyko (Ferryman, DC/Wildstorm), Joshua Dysart (Unknown Soldier, Vertigo)

Best Comic Series (Adaptation):
The Stand Captain Trips (Marvel)
In what may be the most competitive category, Marvel’s brilliant adaptation of Stephen King’s The Stand squeaks out the win. What elevates the series above its competitors is the epic scope of the source material, successfully plotted by writer Roberto Aguirre-Sacasa. It takes chances and, in the end, succeeds wonderfully.
Honorable Mention: Ender’s Game Battle School (Marvel), Jim Butcher’s Dresden Files Storm Front (Dabel Brothers)

Best Comic Series (Original):
Scalped (Vertigo)
Simply amazing. An intense crime drama set on a Native American reservation that’s detailed, nuanced and deeper than a fifteen foot pool.
Honorable Mention: Unknown Soldier (Vertigo), Locke & Key (IDW Publishing), Ferryman (DC/Wildstorm)

Best New Character in a Novel:
Kylar Stern (The Way of Shadows, Brent Weeks)
Still a bad-ass even though his job description reads wetboy.
Honorable Mention: Durzo Blint (The Way of Shadows, Brent Weeks), the Fudir (The January Dancer, Michael Flynn), Rictus (The Ten Thousand, Paul Kearney)

Best Returning Character in a Novel:
Inquisitor Glokta (Last Argument of Kings, Joe Abercrombie)
The tortured torturer is not only the best character of the year, but also one of the greatest fantasy characters of all time.
Honorable Mention: Logen Ninefingers (Last Argument of Kings, Joe Abercrombie), Bayaz (Last Argument of Kings, Joe Abercrombie), Joe Pitt (Every Last Drop, Charlie Huston), Pepper (Sly Mongoose, Tobias Buckell)

Most Underappreciated Author:
Charlie Huston (Every Last Drop, Del Rey)
Charlie is not underappreciated by those in the know, but to the mainstream reading populace he gets no love. If ever there was an author who deserved a bestselling novel, it’s Charlie Huston.
Honorable Mention: Melinda M. Snodgrass (Busted Flush, Tor)

Most Improved Author:
Tobias Buckell (Sly Mongoose, Tor)
While his previous novel Ragamuffin was excellent, Buckell really brought his game up to another level with one of the year’s best, Sly Mongoose.
Honorable Mention: Joe Abercrombie (Last Argument of Kings, Gollancz), Naomi Novik (Victory of Eagles, Del Rey)

Best New Author:
Brent Weeks (The Way of Shadows, Shadow’s Edge, Beyond the Shadows, Orbit)
Wow, what a difference three months makes. Weeks goes from an unknown fantasy writer to the most promising young writer of 2008.

Best Writer:
Scott Bakker (Neuropath, Orion)
What’s surprising is not how good Bakker is, but how he keeps redefining every genre he writes in. Every book he’s written has been truly staggering.
Honorable Mention: Joe Abercrombie (Last Argument of Kings, Gollancz), Charlie Huston (Every Last Drop, Del Rey), Dennis Lehane (The Given Day, William Morrow)

Most Disappointing Novel:
The Steel Remains (Richard Morgan, Gollancz)
This is a bit deceptive as the novel is excellent and barely missed my top ten this year. It’s just that I, rather unfairly, expected more from Morgan given his track record. I expected to be blown away, and because of that anticipation the novel suffered. Instead of enjoying the experience, I found myself disappointed.
Honorable Mention: Nation (Terry Pratchett, HarperCollins), Zoe’s Tale (John Scalzi, Tor)

Most Surprising Novel:
The Ten Thousand (Paul Kearney, Solaris)
While I expected to enjoy the novel, I didn’t expect to be absolutely blown away. Gritty and brutal, The Ten Thousand is what dark fantasy should be.
Honorable Mention: Sly Mongoose (Tobias Buckell, Tor), The Way of Shadows (Brent Weeks, Orbit), The Court of the Air (Stephen Hunt, Tor)

Best Debut Novel:
The Way of Shadows (Brent Weeks, Orbit)
Weeks’ debut was most noteworthy for its terrific plotting and pace. Filled with unforgettable characters, The Way of Shadows breathes new life into the tired assassin fantasy genre.

Best Urban Fantasy Novel:
Every Last Drop (Charlie Huston, Del Rey)
If urban fantasy is supposed to be “chicks kicking ass” someone forgot to tell Charlie Huston that. Charlie’s gritty, urban fantasy pulp-noir is the standard which all others in the genre fall quite short of.
Honorable Mention: Vicious Circle (Mike Carey, Grand Central), Backup (Subterranean Press)

Best Science Fiction Novel:
Sly Mongoose (Tobias Buckell, Tor)
Could anything be more fun than zombies in space? Sure, throw in ass-kicker extraordinaire Pepper to battle the undead buggers and you have yourself the best science fiction novel of 2008.
Honorable Mention: The January Dancer (Michael Flynn, Tor), Saturn’s Children (Charles Stross, Ace)

Best Fantasy Novel:
Last Argument of Kings (Joe Abercrombie, Gollancz)
Possibly one of the greatest conclusions to a trilogy ever written. Incredible battle scenes and classic characters will brook no argument, Abercrombie’s Last Argument of Kings is the king of fantasy in 2008.
Honorable Mention: The Ten Thousand (Paul Kearney, Solaris), The Night Angel Trilogy (Brent Weeks, Orbit), Busted Flush (George R.R. Martin—editor, Tor), The Company (K.J. Parker, Orbit)

Best Novel of 2008:
Neuropath (Scott Bakker, Orion)
A lot of books are called mind-blowing but Neuropath truly is. Deeply disturbing and filled with absolutely intriguing epistemological questions.
Honorable Mention: The Given Day (Dennis Lehane, William Morrow), Last Argument of Kings (Joe Abercrombie, Gollancz), Every Last Drop (Charlie Huston, Del Rey)

Authors I first read in 2008 that I’ll read more of:
1) Michael Flynn
2) Paul Kearney
3) Mike Carey
4) Stephen Hunt

Authors I’d love to interview on Blood of the Muse:
1) Scott Bakker
2) Joe Abercrombie
3) Brent Weeks
4) Tobias Buckell
5) Paul Kearney

Blood of the Muse’s Top Reads of 2008
1) Neuropath (Scott Bakker, Orion)
2) Last Argument of Kings (Joe Abercrombie, Gollancz)
3) The Given Day (Dennis Lehane, William Morrow)
4) Every Last Drop (Charlie Huston, Del Rey)
5) The Ten Thousand (Paul Kearney, Solaris)
6) Sly Mongoose (Tobias Buckell, Tor)
7a) The Way of Shadows (Brent Weeks, Orbit)
7b) Shadow’s Edge (Brent Weeks, Orbit)
7c) Beyond the Shadows (Brent Weeks, Orbit)
8) Busted Flush (George R.R. Martin—editor, Tor)
9) The January Dancer (Michael Flynn, Tor)
10) The Company (K.J. Parker, Orbit)

Honorable mention:
Saturn’s Children (Charles Stross, Ace), The Steel Remains (Richard Morgan, Gollancz), The Court of the Air (Stephen Hunt, Tor)

Well that’s another year in the history books. Congratulations to all the winners. May your Bloodies sit proudly on your shelf.

And thanks to all my Blood of the Muse readers, may you have a wonderful 2009!

Young Adult Spotlight: Twilight Series by Stephenie Meyer (Little, Brown)


Twilight by Stephenie Meyer
544 pp. Little, Brown Young Readers. $10.99
Pub. Date: 9/6/2006
ISBN-13:
978-0316015844

New Moon by Stephenie Meyer
608 pp. Little, Brown Young Readers. $10.99
Pub. Date: 5/31/2008
ISBN-13:
978-0316024969

Eclipse by Stephenie Meyer
640 pp. Little, Brown Young Readers. $19.99
Pub. Date: 8/7/2007
ISBN-13: 978-0316160209

Breaking Dawn by Stephenie Meyer
768 pp. Little, Brown Young Readers. $22.99
Pub. Date
: 8/2/2008
ISBN-13
: 978-0316067928

Reviewed by Lindsay Stotts

I will be the first to admit, I am not the kind of person to necessarily jump on the pop culture phenomenon band wagon right away. Even Harry Potter took years before I finally gave in to that one. The Twilight series had held no appeal to me until recently. When the movie was released, my family members (those of the female gender specifically) seemed to have been “bit” (lame joke, I know) by the Twilight bug. After much harassment from them and their praising of it as the greatest series in a long time, I decided that I would read it, if only to get them off my back. I saw the movie before I read the books, and after seeing it I hoped dearly that the usual adage that the book is better than the movie held true.

“Twilight” is the first book in the series where we are introduced to Bella Swan. Bella is the daughter of divorced parents and has recently moved from her mom’s home in sunny Phoenix to live with her father in a desolate, rainy, dreary town called Forks. On her first day at her new high school, she’s the object of everyone’s interest, and has quite the impact on Edward Cullen. Edward just happens to be a vampire and goes to high school (for like the 20th time) with his four “brothers and sisters.” The first time he meets her and smells her, she very narrowly escapes being his next meal even though he and his siblings are self proclaimed “vegetarians” (they drink animal blood, not human). From this moment on, Bella can seem to do nothing other than get herself into terrible danger, whether it’s being around Edward, tripping on flat ground, trauma in biology and gym, or, oh yeah, almost getting hit by a van. Good news though, Edward was there to save her! From then on, the story spirals into a heart warming love story between a vampire who didn’t think he could love, and a girl who seems to love things that can kill her. This goes on for a few hundred pages. Then, some not so friendly vampires come to town, smell Bella’s lovely aroma, and decide she’s the next meal. The Cullens go through great lengths to save her and her family from these crazy vampires (is that redundant?) and of course, in the end, Edward saves her and they live happily ever after, least for a few months.

In book two, New Moon”, Edward decides that, after a terrible accident at Bella’s birthday party with his family (involving a paper cut, and six hungry vampires), that it’s time for them to leave in hopes of keeping Bella safe. So his family packs up and leaves town, leaving Bella in a depressed catatonic state in which she never wavers from going to school, cooking dinner and studying. In this time, she re-discovers an old friend Jacob Black and they start off a nice friendship that perks her spirits up. She also discovers that when she is doing stupidly dangerous things, she hears Edwards voice in her head telling her not to do them. And Bella being Bella, she decides to do more and more dangerous things to hear his voice. Eventually she does something so stupid that Alice (Edward’s “sister” who can see the future) sees something very troubling. Edward reads her mind, and this sets off a chain of events that culminates in Edward thinking Bella is dead. Depressed, Edward then goes off to find some bad vampires who will help him off himself because life without Bella isn’t worth living. Well, jokes on him as she didn’t die, she’s just stupid. Now Alice and Bella race off to save Edward, and eventually once again, there’s a happy ending.

“Eclipse” is where the conflict between Jacob Black, now a werewolf, and Edward, a werewolf’s sworn enemy, comes to a head. They spend the whole book fighting over control and protection rights to Bella. Meanwhile, there’s a psycho vampire (once again, is that redundant?) that’s out for revenge on Bella. Since Edward killed her mate, she sees it as only fair to kill Edward’s mate. This evil vampire is amassing a small army of newborns (new vampires minus the pacifiers) that are running rampant, killing tons of people while waiting for their prime directive—the attack on Bella. Once the Cullens, Bella and Jacob figure out that this crazy bloodsucker is coming for her, they band together and fight the newborns and their vengeful leader. Once again, Bella is safe and there is a happy ending with no one even getting killed off (other than all the bad vamps). The book ends with Bella finally agreeing to marry Edward, although she is still trying to figure out how to get him to turn her into a vampire (yes, she actually WANTS to become one and has since New Moon”).

“Breaking Dawn”, begins with Bella and Edward’s wedding. A grand affair, very little conflict, mostly warm fuzzies. Then they go away to Esme’s Island (Edward’s mom has her own island) for their honeymoon. Edward grapples with the issue of consummating their marriage without killing her in the process, manages to do it, and she only comes out slightly worse for wear. A week or two later while still on vacation, she realizes that she hasn’t had a certain visitor. Then, the dawning realization, SHE’S PREGNANT! Who would have thought that was possible? Well, Edward whisks her home to Carlisle, they whip up some lame excuse as to why no one in her family can see her and they try to figure out how to keep this thing inside her from killing her. The time comes when the baby needs to come out and it wasn’t going to go peacefully. So they sedate Bella, get the kid out of her, and to save her they make her a vampire using Edward’s venom. When she’s done transforming she seems to have no problem with the change, and has an amazing amount of self control. Everything went just peachy. Her baby girl, who is growing at an astounding rate, gets seen by another vampire who thinks she is something that she’s not, something very forbidden, and goes and tattles to the vampire watch dogs. They decide they need to come check it out and dish out some good old-fashioned vampire justice. The Cullens prepare a response and implement it. Everything goes off perfectly and no one important gets hurt. Once again, Edward, Bella, their daughter and the rest of the Cullens live happily ever after.

Okay, so if you stuck through the synopsis of the four books, good for you, and if it saves you from reading the books, be thankful this is all you had to read.

Let me start with the movie and how it compared to the book. The movie followed the book nearly exactly, nothing really was edited out of it. This should tell you right away that the director was really good or the movie was really long, OR the plot was so thin in the book there’s nothing to cut out. Well sadly the last statement is true. The book and movie contained about 10 minutes, or 10 pages of plot, and the rest was just the babblings of teenage lovers. The acting was terrible! It was over exaggerated and painful to watch. I spent the whole movie with a huge grin on my face trying not to laugh out loud at the absurdity. The concept of the book/movie was sweet, vampire finds the ability to love and would do anything for her, etc etc. Execution left something to be desired. There was nothing remotely edgy to the book, definitely not the typically dark, bloody, gory vampire stuff. It was almost like the vampires were Disney-fied. Made all cute and adorable. I didn’t know whether to fear them or pet them. The writing was unfocused at times, running on when events could have been summed up more concisely. There was also a great deal of typos and errors in all the books. My recommendation is that the editor read the book more than once, although that may have been painful to do.

“New Moon” was not much better for plot. In fact, I would say it had about the same amount except it’s mostly near the end. Until that point the narrative just wanders. The interaction between Bella and Jacob in the book was nice, almost human and normal. The thing that bothered me is that no matter what happened in the series, the books ALWAYS had a happy ending. The best thing author Stephenie Meyer did was bring Edward back. Once again the end held all the excitement.

I found Eclipse” quite annoying. It would have been a lot shorter if the repetitive back and forth between Edward and Jacob was cut out. It only takes one or two incidents for the reader to see that there’s a problem between the two of them. Did it have to be beaten to death? By this time, I was getting annoyed with Jacob and wanted very badly to skim over the parts about him. In true Twilight fashion, the plot was almost entirely at the end, and the conflict was resolved with no problems….Yawn! Put some drama in here, kill someone important off, let someone get hurt, let SOMETHING happen! Geesh. These books are great for the faint-hearted because nothing ever goes tragically wrong.

Now Breaking Dawn” just seems to take a header off the edge of sanity. The wedding was enjoyable, no major drama there not surprisingly. The twist with her getting pregnant by a vampire, not much of a twist, but curious none the less. Once again, so much potential for things to go wrong, for the happy balance to be upset, and yet they all come out of it just fine. Even when Bella was turned into a vampire, her transition was flawless, no trials or tests that she couldn’t easily handle. It was all too easy, too perfect. There really needed to be some challenge. I think this aspect hurt the book. It would have been more relatable if she had to struggle at least a little.

Last Word:
The series was a different take on vampires, a very…tame…take on vampires. It was definitely a series for the female reader, most if not all men would be lost when they got to the sparkly vampire part. It flirted with a nice romantic story, forbidden love spanning two worlds that just happens to work out flawlessly. They needed more conflict and a heck of a lot more plot. It also wouldn’t hurt if the book was proofed for errors. And for everyone’s sake I hope that the actors get some acting lessons by the time the next movie comes out. My advice, save your money on the movie and read a synopsis on the web if you’re really jones-ing for a Twilight fix.

Final Score: 58 out of 100

Book Giveaway: "City of Refuge" by Tom Piazza

Sunday, December 28, 2008

Today I have a galley of Tom Piazza's "City of Refuge" to giveaway.

From the award-winning novelist and author of Why New Orleans Matters comes a breathtaking novel of two families, one white and one black, whose lives are torn apart by Hurricane Katrina and then pieced back together again in ways they couldn't have imagined.

Tom Piazza's book Why New Orleans Matters touched a nerve among readers everywhere after Hurricane Katrina and it earned him a passionate readership. Now, in City of Refuge, the Michener Award-winning fiction writer delivers something larger and deeper, a novel destined to become a classic. This shattering, panoramic novel follows the Donaldsons and the Williamses--two very different families, one black and one white--as they are uprooted from New Orleans to Houston and Chicago, and as they slowly find a way to piece their lives back together in the wake of the disaster. Gripping, compulsively readable, full of unforgettable characters, City of Refuge is sure to be one of the most talked-about books of the year.

To Enter to Win: Send an email to pstotts@bloodofthemuse.com with the subject line "REFUGE" and include your name and mailing address in the body of your email. Multiple entries will be disqualified. Winners will be selected at random. No purchase is necessary. Contest is open to all participants. Contest ends: January 20, 2009 at 11:59pm PST.

For more Blood of the Muse giveaways: click here.

Bloggers: if you promote this contest on your blog, I will give you an additional entry. Email me at pstotts@bloodofthemuse.com with the subject line "REFUGE", and include the address to your blog in the body of the email, or you can leave the address to your blog in the comment section of this post. I'll check it out and make sure you get another entry.

Good luck to everyone who enters!

Comic Break: Sir Apropos of Nothing #2 (IDW Publishing)

Friday, December 26, 2008


Sir Apropos of Nothing
Issue: #2
Writer: Peter David
Artist: Robin Riggs
32 pp. IDW Publishing. $3.99

Reviewed by Paul Stotts

“I’ve met many a man who exists with no brain, but have yet to encounter one who can survive headless.”—Peter David, Sir Apropos of Nothing #2

The first issue of Peter David and Robin Riggs’ new fantasy series Sir Apropos of Nothing was a pleasant surprise. Normally I don’t read much comedic fantasy, so the series has been a reminder of how enjoyable good comedic fantasy can be. Filled with rare laugh-out-loud moments, Sir Apropos of Nothing is a joy, snarky and sarcastic and just downright fun.

The most delightful aspect of Sir Apropos of Nothing is Sir Apropos himself, an anti-hero who has gleefully embraced his inner asshole-ness; his only concern is saving his own skin. If he helps anyone, it’s purely a consequence of him helping himself. Selfless, he is not. If he stumbles across a damsel-in-distress, he’s likely to leave her to the slavering monster, thus buying himself more time to escape. This subversion of the typical fantasy cliché is what makes the character so engaging; he’s bad and he doesn’t care. He’s an anti-hero in the strictest literal sense.

Most of the comedy arises out of literary allusions writer Peter David has worked into the storyline. These literary references are liberally sprinkled throughout the narrative, making the series reminiscent of John Myers Myers’ classic novel “Silverlock.” However unlike Myers’ novel, having read the entire English literature canon is not necessary to understand most of the allusions in Sir Apropos of Nothing.

In the debut issue, David took some well-placed shots at Stephen King’s Dark Tower saga, while the current issue riffs on “The Wizard of Oz” and the story of Chicken Little. Make no mistake this is not high-brow stuff here. It’s juvenile, filled with bad puns and stupid little jokes, a fantasy with its tongue placed firmly in-cheek. Those who seek the warm embrace of unconsciousness at the merest sight of comedic stupidity will want to put Sir Apropos of Nothing on their ignore list. However Sir Apropos’s obnoxious behavior serves as a fitting adult counterpoint to the juvenile humor, ultimately creating an interesting and fun fantasy concoction. It’s a fruit punch bowl spiked with a healthy dose of alcohol.

Above all else, Sir Apropos of Nothing is pure, fun entertainment, if only for the kick in the groin it gives to fantasy literature that takes itself too seriously.

Final Grade: 84 out of 100

Related Posts:
Comic Break: Sir Apropos of Nothing #1 (IDW Publishing)

Happy Holidays!

Thursday, December 25, 2008

"It's Christmas Day!" said Scrooge to himself. "I haven't missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can."--Charles Dickens, "A Christmas Carol"

Here's wishing everyone out there a safe and happy holiday season. May mounds of happy books find their way into your arms.

Book Giveaway: "Glamour" by Louise Bagshawe

Wednesday, December 24, 2008

Time to spread some holiday cheer around with a Christmas giveaway. With that in mind, I have a galley of Louise Bagshawe's "Glamour" to give to some lucky winner.

Texan honey Sally Lassiter, English rose Jane Morgan, and exotic Jordanian beauty Helen Yanna meet at an exclusive girls' school in LA and vow that nothing will ever tear them apart. But when catastrophe strikes, two of the young women find themselves grieving and penniless, and the third will be forced into a fate she could never have foreseen.

In their struggle to rebuild their lives, the women encounter one another again and come together to create a chain of high-end department stores the call GLAMOUR. Money and recognition rocket them into the spotlight. But the GLAMOUR empire is soon on the verge of collapse, as the three women become embroiled in a bitter feud.

Discover what happens to promises when money is no object, lust has no bounds, and glamour is worth everything in this seductive, rags-to-riches saga.

To Enter to Win: Send an email to pstotts@bloodofthemuse.com with the subject line "GLAMOUR" and include your name and mailing address in the body of your email. Multiple entries will be disqualified. Winners will be selected at random. No purchase is necessary. Contest is open to all participants. Contest ends: January 17, 2009 at 11:59pm PST.

For more Blood of the Muse giveaways: click here.

Bloggers: if you promote this contest on your blog, I will give you an additional entry. Email me at pstotts@bloodofthemuse.com with the subject line "GLAMOUR", and include the address to your blog in the body of the email, or you can leave the address to your blog in the comment section of this post. I'll check it out and make sure you get another entry.

Good luck to everyone who enters!

Winner of "Night Rising" Giveaway

Someone will be getting a belated Christmas present. I've finally gotten around to selecting a winner for the signed copy of Chris Marie Green's "Night Rising."

The winner is: Meredith Rowe from San Diego, California. Congratulations Meredith!

Thanks to everyone who entered!

Book Giveaway: "When We Were Romans" by Matthew Kneale

Tuesday, December 23, 2008

I've trying to clear away some of the extra galleys I have so it's time for another giveaway. This time I have an uncorrected proof of Matthew Kneale's "When We Were Romans."

Nine-year-old Lawrence is the man in his family. He carefully watches over his willful little sister, Jemima, and his mother, Hannah. When Hannah becomes convinced that their estranged father is stalking them, the family flees London and heads for Rome, where Hannah had lived happily as a young woman. For Lawrence, fascinated by stories of popes and emperors, Rome is an adventure. Though they are short of money, and move from home to home, staying with his mother's old friends, little by little their new life seems to be taking shape. But the trouble that brought them to Italy will not quite leave them in peace.

Narrated in Lawrence's perfectly rendered voice, When We Were Romans powerfully evokes the emotions and confusions of childhood-the triumphs, the jealousies, the fears, and the love. Even as everything he understands is turned upside down, Lawrence remains determined to keep his family together as he views the world from a perspective that is at once endearingly innocent and preternaturally wise.

To Enter to Win: Send an email to pstotts@bloodofthemuse.com with the subject line "ROMANS" and include your name and mailing address in the body of your email. Multiple entries will be disqualified. Winners will be selected at random. No purchase is necessary. Contest is open to all participants. Contest ends: January 15, 2009 at 11:59pm PST.

For more Blood of the Muse giveaways: click here.

Bloggers: if you promote this contest on your blog, I will give you an additional entry. Email me at pstotts@bloodofthemuse.com with the subject line "ROMANS", and include the address to your blog in the body of the email, or you can leave the address to your blog in the comment section of this post. I'll check it out and make sure you get another entry.

Good luck to everyone who enters!

"Beyond the Shadows" by Brent Weeks (Orbit)

Monday, December 22, 2008


Beyond the Shadows
Brent Weeks
720 pp. Orbit. $7.99
Pub. Date: 12/1/2008
ISBN-13:
978-0316033664

Reviewed by Paul Stotts
“That was the Night Angel, perhaps the only man in the world you need fear.”—Brent Weeks, “Beyond the Shadows”

Ass-kicker extraordinaire Kylar Stern has returned as the ultra-fearsome Night Angel in the concluding volume of Brent Weeks’ excellent Night Angel Trilogy, “Beyond the Shadows.” The latest novel follows closely on the heels of Weeks’ noteworthy debut “The Way of Shadows” and the equally enjoyable follow-up “Shadow’s Edge,” all three novels published within a three-month window. (An inspired marketing choice by the publisher, Orbit. One I wish other publishers would follow.)

“The Way of Shadows” followed Kylar’s transformation from street urchin to Durzo Blint-trained wetboy, from a weak boy who desires to be all-powerful to an all-powerful superhero who discovers how damning that power truly is. In the process he struggles with his dual persona, the shadow and the real. He’s like Batman/Bruce Wayne, two disparate identities within the same person, one real, one illusionary. In “Shadow’s Edge” Kylar searches for salvation, hoping to eliminate the illusion and embrace his true self. Love is his life preserver. But digging yourself out of such a serious self-inflicted hole can be difficult, and Kylar struggles between his two lives, constantly riding the edge.

“Beyond the Shadows” then is the price Kylar must pay to be free. Free of the constraints and shadows and the prison his life has become. Free to live his life, truly. It is the price of his salvation. And the price is extraordinarily steep.

To avoid spoiling the previous two novels in the trilogy, I’ll forego the plot synopsis of “Beyond the Shadows.” It’s too difficult to discuss the storyline of the current novel without referring to certain pivotal past events. Without revealing too much I can say that Kylar is once again called on to save Cenaria. However now he’s taking the fight to the Khalidorans, striking at the very heart of their evil, the goddess Khali.

Now that the series has ended it’s clear that anything that can be said about one of the books is applicable to all of them given the close proximity of their release dates. They all share the same strengths and weaknesses. The trilogy reads like a cohesive whole, more like a single novel than a multi-volume set.

Certain shortcomings from the previous novels like Weeks’ generic worldbuilding are present here also, but in his defense he’s never had the opportunity to address these concerns. To be fair to him, “Beyond the Shadows” should be viewed more as a continuation of Weeks’ debut novel rather than his third book.

And as a continuation of the magic started in “The Way of Shadows,” “Beyond the Shadows” succeeds spectacularly. It’s the most poignant and emotionally fulfilling of the trilogy. There’s a real heart beating underneath. Credit Weeks’ strong sense of characterization for making Kylar, Elene, Logan and Vi feel like old friends. They feel real, which they should near the end of a series. We understand their hopes and dreams and desires now. And we accept them, hoping for the best (or possibly worse) for each of them. This emotional bond with the characters drives the book to an extremely enjoyable and satisfying conclusion. Weeks provides closure to Kylar’s journey through the way of shadows. Loose ends are tied up beautifully and there is a sense of completeness to the narrative.

Throughout the series, Weeks’ storytelling has been wonderful, his fast pacing and fertile imagination keeping the proceedings consistently enjoyable and vastly entertaining. The one aspect that really stands out is his incredible sense of plotting. Over the course of three books, the narrative never bogs down, exciting and significant events happen one after the other. The story always moves forward. It’s impressive for a new author to have such an innate sense of storytelling. There’s also been an inherent joy and infectious energy to the novels that’s missing from most fantasy. Weeks’ passion seemingly infuses every page and the effect is intoxicating for the reader.

Significant twists that have absolutely stood the narrative on its head have defined the series to this point, and “Beyond the Shadows” may have the most shocking and clever twist of them all. The price Kylar must pay for his immortality is revealed about half way through the novel, and it’s jaw-dropping. This revelation utterly transforms the story up to that point, coloring Kylar’s history in a completely new shade. The stakes change significantly, going from a two-dollar table to no-limit in a heartbeat. It’s the finest moment in a series that has had its share of memorable ones.

Last Word:
Fun, entertaining and poignant, “Beyond the Shadows” is a wonderful and satisfying conclusion to the Night Angel Trilogy. It’s a bustling bundle of energy, fast-paced, cleverly plotted and filled with heart-stopping jolts. Brent Weeks establishes himself as a serious fantasy player and has me eagerly anticipating his next book (So Brent if you are out there and want to talk about what’s next, let me know). One of the best books of the year.

Final Grade: 87 out of 100

Related Posts:
"The Way of Shadows" by Brent Weeks
"Shadow's Edge" by Brent Weeks

Collector's Corner: Melinda M. Snodgrass

Sunday, December 21, 2008

In support of the excellent new Wild Cards novel "Busted Flush," I thought I would post the signature of one of the contributors, Melinda M. Snodgrass. Melinda is criminally underrated as an author. If you haven't check out some of her work, do yourself a favor a give her a shot.


Related Posts:
"Busted Flush" edited by George R.R. Martin

Book Reviewers Linkup Meme

Friday, December 19, 2008

I've been slower than a retarded Rhesus monkey in getting up this wonderful linkup meme started by John over at the excellent Grasping for the Wind. This was such a great idea, so kudos to him for getting it all started. All these great sites below offer delicious speculative fiction reviews and other great content that should give you days of surfing nirvana.

Now I need to go through them all and update my blogroll!

Thanks to Robert of the incomparable Fantasy Book Critic for adding a link to Blood of the Muse to the list. Much appreciated, Robert!

7 Foot Shelves
The Accidental Bard
A Boy Goes on a Journey
A Dribble Of Ink
A Hoyden's Look at Literature
Adventures in Reading
The Agony Column
Andromeda Spaceways
The Antick Musings of G.B.H. Hornswoggler, Gent.
Ask Daphne
aurealisXpress
Australia Specfic in Focus
Author 2 Author
Barbara Martin
Bees (and Books) on the Knob
Bibliophile Stalker
Bibliosnark
BillWardWriter.com
The Billion Light-Year Bookshelf
Bitten by Books
The Black Library Blog
Blog, Jvstin Style
Blood of the Muse
The Book Bind
Bookgeeks
Bookslut
The Book Smugglers
Bookspotcentral
The Book Swede
Bookrastination
Breeni Books
Cheaper Ironies [pro columnist]
Cheryl's Musings
Critical Mass
The Crotchety Old Fan
Damien G. Walter
Danger Gal
Dark Wolf Fantasy Reviews
Darque Reviews
Dave Brendon's Fantasy and Sci-Fi Weblog
Dear Author
The Deckled Edge
Dragons, Heroes and Wizards
The Discriminating Fangirl
Dusk Before the Dawn
Enter the Octopus
Eve's Alexandria
Fantastic Reviews
Fantastic Reviews Blog
Fantasy Book Critic
Fantasy Cafe
Fantasy Debut
Fantasy Book Reviews and News
Fantasy and Sci-fi Lovin' Blog
Feminist SF - The Blog!
The Fix
The Foghorn Review
Frances Writes
From a Sci-Fi Standpoint
Fruitless Recursion
The Galaxy Express
Galleycat
The Gamer Rat
Genre Reviews
Graeme's Fantasy Book Review
Grasping for the Wind
The Green Man Review
Hasenpfeffer
Highlander's Book Reviews
Horrorscope
The Hub Magazine
Hyperpat's Hyper Day
Ink and Keys
io9
Jumpdrives and Cantrips
Lair of the Undead Rat
League of Reluctant Adults
Literary Escapism
Michele Lee's Book Love
The Mistress of Ancient Revelry
MIT Science Fiction Society
Monster Librarian
More Words, Deeper Hole
Mostly Harmless Books
My Favourite Books
Neth Space
The New Book Review
NextRead
OF Blog of the Fallen
The Old Bat's Belfry
Outside of a Dog
Paranormality
Pat's Fantasy Hotlist
Piaw's Blog
Post-Weird Thoughts
Publisher's Weekly
Reading the Leaves
Realms of Speculative Fiction
Reviewer X
The Road Not Taken
Rob's Blog o' Stuff
Robots and Vamps
Sandstorm Reviews
ScifiChick
Sci Fi Wire
SciFiGuy
Sci-Fi Fan Letter
Sci-Fi Songs [Musical Reviews]
The Sequential Rat
Severian's Fantastic Worlds
SF Diplomat
SF Gospel
SF Reviews.net
SF Revu
SF Signal
SF Site
SFF World's Book Reviews
Silver Reviews
The Specusphere
Spinebreakers
Smart Bitches, Trashy Books
Speculative Fiction
Speculative Fiction Junkie
Speculative Horizons
Spiral Galaxy Reviews
Spontaneous Derivation
Sporadic Book Reviews
Stella Matutina
The Sudden Curve
The Sword Review
Tangent Online
Tehani Wessely
Temple Library Reviews
Tor.com [also a publisher]
True Science Fiction
Un:Bound
Urban Fantasy Land
Vast and Cool and Unsympathetic
Variety SF
Walker of Worlds
Wands and Worlds
The Wertzone
With Intent to Commit Horror
WJ Fantasy Reviews
The World in a Satin Bag
WriteBlack
Young Adult Science Fiction

Foreign Language (other than English)

Cititor SF [Romanian, but with English Translation]

Elbakin.net [French]

Foundation of Krantas [Chinese (traditional)]
The SF Commonwealth Office in Taiwan [Chinese (traditional) with some English essays]
Yenchin's Lair [Chinese (traditional)]

Aguarras [Brazilian, Portuguese]
Fernando Trevisan [Brazilian, Portuguese]
Human 2.0 [Brazilian, Portuguese]
Life and Times of a Talkative Bookworm [Brazilian, Porteguese]
Ponto De Convergencia [Brazilian, Portuguese]
pós-estranho [Brazilian, Portuguese]
Skavis [Brazilian, Portuguese]

Fantasy Seiten [German, Deustche]
Fantasy Buch [German, Deustche]
Literaturschock [German, Deustche]
Welt der fantasy [German, Deustche]
Bibliotheka Phantastika [German, Deustche]
SF Basar [German, Deustche]
Phantastick News [German, Deustche]
X-zine [German, Deustche]
Buchwum [German, Deustche]
Phantastick Couch [German, Deustche]
Wetterspitze [German, Deustche]
Fantasy News [German, Deustche]
Fantasy Faszination [German, Deustche]
Fantasy Guide [German, Deustche]
Zwergen Reich [German, Deustche]
Fiction Fantasy [German, Deustche]

Book Giveaway: "So Long At The Fair" by Christina Schwarz

Here is some more giveaway goodness! Today I have a bound galley of Christina Schwarz's "So Long At The Fair" up for grabs.

In the summer of 1963 a plot for revenge destroys a career, a friendship, and a family. The consequences of the scandalous event continue to reverberate, touching the next generation. Thirty years later, over the course of one day, Jon struggles to decided whether to end his affair or his marriage. His wife, moving closer to discovering his adultery, begins working for an older man who is mysteriously connected to their families' past. And Jon's mistress is being courted by a suitor who is alternately comic and menacing.

With page-turning intensity and in prose at once lush and precise, Christina Schwarz conjures the emotional labyrinth of a marriage on the brink of collapse and proves that no matter how hard we work to stifle them, the secrets of the past refuse to be ignored.

To Enter to Win: Send an email to pstotts@bloodofthemuse.com with the subject line "FAIR" and include your name and mailing address in the body of your email. Multiple entries will be disqualified. Winners will be selected at random. No purchase is necessary. Contest is open to all participants. Contest ends: January 10, 2009 at 11:59pm PST.

For more Blood of the Muse giveaways: click here.

Bloggers: if you promote this contest on your blog, I will give you an additional entry. Email me at pstotts@bloodofthemuse.com with the subject line "FAIR", and include the address to your blog in the body of the email, or you can leave the address to your blog in the comment section of this post. I'll check it out and make sure you get another entry.

Good luck to everyone who enters!

Comic Break: Welcome to Hoxford #4 (IDW Publishing)

Thursday, December 18, 2008


Welcome to Hoxford
Issue: #4
Writer: Ben Templesmith
Artist: Ben Templesmith
32 pp. IDW Publishing. $3.99

Reviewed by Paul Stotts
“I was one of you when I was born. I understand…it’s all so clear now. This is my…destiny.”—Ben Templesmith, Welcome to Hoxford #4

Prison is a terrifying place. Inmates cope with horrors like the lack of freedom, violence and sexual assault. Adding bloodthirsty werewolves roaming the halls looking to make you an after-lights-out snack brings the horror of prison to a whole new level. Prison is bad enough without being a hot meal for an overgrown doggie. That’s one parole board any inmate would want to avoid.

Ben Templesmith’s ultra-creepy and cool horror comic series Welcome to Hoxford has been a gruesome mosaic of blood, werewolves and degenerate serial killers. It’s also been a warped reimagining of the penal system as exposing an individual’s vulnerability. Even the worse serial killer imaginable is vulnerable in a jail cell. No matter how much of a monster an inmate is, there’s always a bigger monster out there, something darker and even more dangerous. Maybe it’s their own evil threatening their soul and sanity while chomping away at their humanity. In Hoxford, the ones doing the chomping though are the werewolves. And Raymond Delgado.

In the concluding issue of the series, Raymond and the other prison survivors continue their battle against the werewolves hunting them through the corridors of Hoxford. But where the other survivors wish to escape the prison, Raymond desires a confrontation with the beasts, and an opportunity to test himself.

After looking rushed in the previous two issues, Templesmith’s interiors return to form in the final issue. The werewolves in particular are stunning. Templesmith’s relish for his canine creations is obvious in the detail and nuance he gives to them.

Templesmith’s unique storytelling which seemingly disappeared in the previous issue also comes back in full force in this issue. What I thought would be a straightforward conclusion took an unexpected twist at the end that caught me by surprise. If anything this new development made the issue even creepier, and definitely more satisfying.

An excellent conclusion solidified Welcome to Hoxford as one of the best horror reads of the year.

Final Grade: 88 out of 100

Related Posts:
Comic Break: Welcome to Hoxford #1 (IDW Publishing)
Comic Break: Welcome to Hoxford #2 (IDW Publishing)
Comic Break: Welcome to Hoxford #3 (IDW Publishing)

"The January Dancer" by Michael Flynn (Tor)

Wednesday, December 17, 2008


The January Dancer
Michael Flynn
352 pp. Tor. $24.95
Pub. Date: 10/14/2008
ISBN-13:
978-0765318176

Reviewed by
Paul Stotts
“Myths, you mean. Legends, fables. I’ve heard them. If any two of them describe the same creatures—if any two stories even fit together logically—they’d be the first two. We don’t know when the prehumans were around, or for how long. We don’t know if they ruled this quarter of the galaxy or only roamed through it. There’s probably a tall tale to cover every possibility. People can’t tolerate the inexplicable. So they tell a story or sing a song.”—Michael Flynn, “The January Dancer”

When “Eifelheim” received a Hugo nomination last year for best novel, I immediately inserted author Michael Flynn on my “to-read-someday” list. Unfortunately, it’s a long list and most of the names never get Sharpie-d off. It’s like my own personal Siberian gulag for speculative fiction writers, cruel and gruel galore. Luckily Flynn avoids this fate worse than death by securing an early parole with his latest novel “The January Dancer.” And I’m ecstatic he did.

“The January Dancer” is presented as a story-within-a-story. A harper comes to the Bar on Jehovah, searching for the story of the Dancer which she plans to transform into her master-work. There she discovers “a man of remnants and shadows” who indulges her with the tale of the Dancer.

Captain Amos January and his crew discover an artifact on one of the outlying planets while mining for metals. They believe this twisting, dancing brick-like artifact (referred to as the Dancer) to be prehuman in origin, and therefore, extremely valuable. The crew trades the Dancer with the administrator of the planet New Eireann in exchange for maintenance and repair on their ship, New Angeles.

But the Dancer is not only a valuable museum piece. It’s an artifact of potentially mythological power if the fable about the Twisting Stone is to be believed. And it could be the salvation of Earth. This promise has attracted the attention of a mysterious individual known as the Fudir. The Fudir enlists the help of the outcast New Eireann leader Little Hugh O’Carroll in retrieving the Dancer.

But before they can reel the artifact in the Dancer has changed hands once again. So begins a long chain of possession as the Dancer travels amongst various worlds, constantly switching hands, with Hugh and the Fudir always a step behind in their search. Can they get to it before the true value of the Dancer is discovered?

“The January Dancer” is a revelation, a rousing space opera that’s brilliantly crafted and executed. Unlike the cotton-candy space opera out there which is yummy but essentially fluff (John Scalzi, I’m looking at you), “The January Dancer” displays a brain, placing substance behind the entertainment. This isn’t a frivolous entertainment injection filled with snappy dialogue and a flat cookie-cutter setting (once again Scalzi, eyes your direction). Characters in Flynn’s novel ponder serious ethical questions related to governing and the abuse of power. The mythical MacGuffin the characters search for in “The January Dancer” acts as a measure for each of them, revealing more about their own attitudes and beliefs.

Space opera is often hindered by lackluster settings; the worlds seemingly transplanted Earth-like societies. No planet is unique. This lack of uniqueness is difficult to believe since it’s so unlikely. A planet’s position in the universe should affect its political and social circumstances. There should be social evolution, however often there’s not. This reflects back on the quality of the story as the best science-fiction provides memorable locations. Who wants to explore an uninteresting universe?

“The January Dancer” avoids this trap with a fecund setting. Flynn imbues the various worlds with their own personalities, making each planet distinctive and detailed. The different societies go beyond setting, beyond a cutout world. They make sense from an evolutionary standpoint; trade planets are different than outliers. Flynn’s rich universe acts as another character in the story, making the adventure of Fudir and Hugh feel fuller and more robust.

The learning curve in the novel is steep at the beginning as Flynn introduces the various plotlines, characters and worlds. There are multiple starting points and the novel can feel overwhelming, like quickly jumping from subtraction to abstract algebra, but the initial effort is richly rewarded. Once Flynn has introduced the major players, the pace of the novel accelerates, twisting and turning more than the Dancer itself.

Flynn also proves himself a master wordsmith. The interludes between the harper and the storyteller in particularly are beautifully written as they comment on the tale of the Dancer.

Last Word:
“The January Dancer” is a novel that improves the longer one reads, reaching ever greater levels of entertainment as the story progresses. Michael Flynn has written an intelligent, lush novel filled with memorable characters and an unforgettable universe. A superior work that places Flynn securely on my “must-continue-reading” list.

Final Grade: 85 out of 100

Related Posts:
"Zoe's Tale" by John Scalzi (Tor)
"Agent to the Stars" by John Scalzi (Tor)